Following the success of the first Blacula film, AIP were confident in producing a sequel the next
year and managed to inject some {ahem} fresh blood into the formula in a number
of ways.
Keeping the continuity of the classy lead actor William
Marshall as the urbane Mamuwalde, this time the same writing team of Koenig and
Torres add something new to the plot and also greater humorous flavour (or
flava?) to the dialogue. Firstly, the added exoticisim here of voodoo mythology
became almost a sub-genre itself within Blaxploitation horror, used the same
year in the Blax-inspired Bond film Live
and Let Die and in 1974 with Abby
and (Zombies of) Sugar Hill.
The vampire master is resurrected by Willis (Richard
Lawson, having a whale of a time) who believes he can have Blacula serve him.
The poor deluded cat is soon disabused via the medium of fangs and on being
sucked into vampirism himself is depressed at his inability to preen at his
now-absent reflection: “I don’t mind bein’ a vampire and all dat shit, but this
ain’t hip!”
Later, as Blacula elegantly prowls the city, after a
dodgy bat/human optical transmutation, there is more inventive
fish-out-of-water cultural comedy mined when he is perplexed by the
availability of a modern hooker offering her services on the street. His
old-world breeding is lost for how to respond to such a direct offer of female
sexuality. When along roll her pimps
teasing: “Don’t you dig our merchandise?” they attempt to mug him. He
gracefully deflects their threats of violence with “As for ‘kicking my ass’ I
strongly recommend you give it some consideration before trying” – and promptly
makes nourishing use of them.
Another cast member who clearly has fun with his lines
is the weary but heroic Michael Conrad as Lt Dunlop (later to find fame as Sgt
‘Hey, let’s be careful out there’ Esterhas in TV’s Hill Street Blues). He crosses wits with ex-cop Justin Carter (Don
Mitchell) before helping him to raid the Mamuwalde house in the vampire
battle. Fans of the TV series Soap and Roots will also recognise the lovely Lynne Moody as Denny.
Pam Grier is another welcome sight in the movie,
although as voodoo devotee Lisa Fortier she seems a little awkward, possibly
finding it difficult to essay a more subservient type than the strong action
heroine she plays in other Blaxploitation vehicles like Foxy Brown. Either way, she gets to perform the all-important
dispatching of Blacula at the end, stabbing pins into a voodoo doll till he
expires staring up at the heavens.
Overall, Scream
Blacula Scream is a fun fresh sequel – however if the franchise continued
one could imagine it suffering from the same flaw as the later Christopher
Lee Dracula
instalments; namely that as the supporting parts grow in interest, William
Marshall may well have become increasingly marginalised to virtual guest-star
status. The studio closed the coffin lid before the entertainment turned to a
bloodless husk...
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