No time nowadays to do in-depth writing on these but still documenting what I've been re-watching. The
first doesn't hold up that well except for Craven's highly original premise. The second is a rushed cash-in that at least is amusing for its unusual homoerotic edge. The third is the best and the most professional, the fourth has imagination and got Renny Harlin the gig directing DIE HARD 2, whilst the fifth does at least have some bite to its set pieces like the Geiger-inspired human/motorbike interface...
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